From the opening of 'Picture Palace, The Making of the Louvre' by Adam Gopnik in The New Yorker, 10/26/20:
"What happens when we try to walk at night through museums we can no longer visit? A range of online virtual tours provides the possibility, but apart from physical problems of reproduction -- the pixel reproduction is inadequate, the movement glitchy and twitchy -- the real difference is the loss of tactile and optical tension, the missing dialogue of aching feet and happy eyes. ... Reproductions reproduce, and they often do it well, but they can't reproduce the sex appeal of museum going, the carnal intersection of one physical object with another, you and it. It's a thing, there; you, a thing, here."
Be warned this is not a trip to MoMA. This is me with a camera getting out during a pandemic to a place of beauty.
James Ensor "Masks Confronting Death' 1888
Odilon Redon ' The Masque of the Red Death' 1883
Odilon Redon 'The Well' 1880
Medardo Rosso 'Woman With a Veil' 1895



















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