Circa 1913
Between 1911 and 1914 , a new generation of artists made a radical shift toward abstraction. Rather than depict objects in the world, they experimented with interactions between forms and colors. ' These colored planes are the structure of the picture'. said artist Robert Delaunay, 'and nature is no longer a subject for description but a pretext.'
The trailblazers of Abstraction hailed from a number of European cities, but many of them flocked to Paris, the burgeoning center of the art world. Some used shifting, kaleidoscopic forms to create the dynamism of modern, mechanised life. Others, reacting warily to the effects of industrialization, turned inward to explore the spiritual dimensions of pure color. As painter Frantisek Kupka remarked: 'The creative ability of an artist is manifested only if he succeeds in transporting the natural phenomena into 'another reality'.
The Entrance
Robert Delaunay, 'Simultaneous Contrasts: Sun and Moon', 1913
Umberto Boccioni, 'Unique Forms of Continuity in Space', 1913
Raymond Duchamp-Villon, 'The Horse', 1914
Vladimir Baranoff-Rossine, 'Symphony Number l', 1913
Marc Chagall, 'I and the Village', 1911
Kazimir Malevich, 'Woman with Pails', 1912
Pablo Picasso, 'Glass of Absinthe' 1914
Diego Rivera, 'Cubist Landscape', 1912
Juan Gris, 'Grapes', 1913





















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